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CUBA – 1988: the Seaside. Varadero (Cuba), on 1988. FDM-58-1. (Photo by Francoise De Mulder/Roger Viollet/Getty Images) Photo by Francoise De Mulder/Roger Viollet/Getty Images
2 min read

We’re going back to Cuba

This time with a surfboard

7:00 AMThe ingenuity of the Cuban people never ceases to amaze me. Once beset with trade restrictions that forced people to basically work with what was already in front of them for decades, they still create and do it well. It’s no different when it comes to surfing. You’ve got to understand that not only was it nearly impossible to find surf equipment for years, it was legit illegal (and still kind of is?) because the government is leery of people paddling to freedom.

With that as the backdrop, think about what surf culture is even like in Cuba. Sure, Havana has its fair share of passers-through now that relations have been eased in many ways, but for the most part, people are straight up building boards from the random stuff they can find wherever they are. Think about that. It’s one thing to keep a car running for, say, 50 years. It’s quite another to construct an object to surf on out of leftover appliance parts.

Anyway, here’s a great story called “Riding The Waves Of Change: Surfers Push To Transform Cuba” by Corey McLean, who was on the island nation for a couple of months, making a documentary called Havana Libre about the surf scene down there.

In Havana, it is much easier than it used to be for surfers to get their hands on modern boards from tourists, but outside the city it is still nearly impossible. To this day, a young carpenter named Yoan Pablo gathers sea trash and foam that washes up on the shores of his community — a small ex-military district sitting 45 minutes by bus outside Havana called Micro X — and cobbles together Franken-boards to get him and his friends in the water. Pablo says that he has to source his resin, a key ingredient in the creation of boards, from over six hours away.

Where there’s a will, there’s a wave.

Clinton Yates is a tastemaker at Andscape. He likes rap, rock, reggae, R&B and remixes — in that order.