What Had Happened Was Trending stories on the intersections of race, sports & culture

Wake up! It’s the 30th anniversary of Spike Lee’s ‘School Daze’

In this #BlackLivesMatter era, the ’80s film is still very relevant

9:53 AMIt was late summer of 1986. Jasmine Guy was standing on the streets of New York City, fresh out of a dance class at The Ailey School, when she heard a word unfamiliar to her: Wannabe.

She’d just run into director and eventual cultural purveyor Spike Lee. She first met him back in 1979, when she was a high school senior and he was a senior at Morehouse College who was directing the coronation at the school where she danced. Back then, he was telling folks that he planned to go to film school and had aspirations of being a director — although, at the time, Guy wasn’t entirely sure what that meant.

Spike had some news for her. “I just finished my first movie, you’ve got to see it,” she remembers Lee telling her. He was talking about 1986’s She’s Gotta Have It, which is now of course a lauded Netflix series of the same name. She saw the movie and was mesmerized by the very contemporary piece that was in black and white and dealt with sex, relationships and intimacy. She’d never seen anything like it before. With black people. And she was impressed.

She ran into him again on those New York streets, and this was the time that he added a new word to her lexicon. “I’m doing another movie, and you’re going to be in it, so send me your headshot. You’re going to be a wannabe.” She was confused. “You know how you all are,” she remembers Lee saying. She had no idea what he was talking about. Wannabe.

But she soon learned. As did everyone else who would consume Lee’s epic portrayal of a fictional historically black college in School Daze, a movie that altered how we publicly talked about blackness and historically black colleges and universities (HBCUs). For the uninitiated, the idea of a “wannabe” was a caricature of (for the most part) a high-yellow, lighter-skinned woman with long hair whose physical attributes look more European than African. “Wannabe” was also an attitude: Wannabe better than me.

School Daze. It’s been three decades to the day since theaters were lit up with a historically black campus waking up — this was when Nelson Mandela was still locked up, and students called for divestment from South Africa. Three decades since Lee brought us a story of conflict, of when students pledging fictional Greek fraternities were pitted against those who desired global and local social change. The Gamma dogs. The Gamma Rays. The Fellas. The Wannabes. The Jiggaboos — oh, yes, the Jiggaboos. School Daze was about the tensions between light-skinned black folks and dark-skinned black folks.

Everything was right there on a 50-foot screen. No escaping it. We had to consume it. And address it. “It was like, ‘Wow, this guy’s really going to go there,’ ” said renowned director Kasi Lemmons, whose first film role was in School Daze. “He’s really going to explore these issues. It occurred to me, when I saw it, how important it was because it explored so many things that you just hadn’t seen.”

In so many ways, School Daze was an extension of what was happening on campuses. It tapped into activations that were happening in the mid-1980s, and after it was released, it inspired and engaged other students, amplifying the work that was already taking place.

Darryl Bell — who was one of the “big brothers” in School Daze, his first role — was quite active as a real-life student at Syracuse University. He attended rallies where black and Latino students were mobilizing, much in the same way that Laurence Fishburne’s Dap did on Lee’s fictional campus of Mission College. In real life, Bell pledged Alpha Phi Alpha.

“I wanted to know more about these Alpha fellas,” said Bell. He remembers seeing them at rallies. “The idea that Alpha men were involved in, and on the forefront of talking about, issues that mattered — the divesting of South Africa — it encouraged me to be part of student government. All of these things … my experience at Syracuse, you saw in the film. … We were engaged in voter registration. We put on a fashion show to raise money to give scholarships to high school students. … That was the life I was living. That’s why I was so desperate to be in the movie. … ‘This is all about me and what I’m living every day.’ It was an extraordinary example of art imitating life.”

The film was more than entertainment; even before A Different World, it really illuminated HBCU campus life. It shed a light on colorism, one of the most uncomfortable and unspoken issues among black folks — something we’d been battling for generations and, in a lot of ways, still are.

“There was … division between the men and women,” said Joie Lee, who portrayed Lizzie Life in the film, “in terms of what constitutes beauty. I wasn’t ‘fine.’ I wasn’t considered that. I did not fit that standard of beauty, perhaps because I was brown-skinned. Perhaps because my hair was nappy, and natural. The women that are considered fine … were light-skinned or had ‘good hair’ — I’m using that term loosely. Those were some of the issues that [we were] grappling with.”

Thirty years later, the film still holds up. Replace School Daze’s international concerns with the Black Lives Matter movement and the activism, especially in this current political climate, most certainly feels familiar. “It does have a relevance to what’s going on today,” said Kirk Taylor, who portrayed one of the Gammas. “In terms of the look, in terms of the content, in terms of the final message about waking up … we need to wake up as much now as we did then — and stay awake. It’s easy to be lulled into a false sense of security, or false peace, and not be aware that things still need to be addressed. Things still need to be changed.”

Stay woke, indeed.

New York Fashion Week: At Telfar and Pyer Moss, messages in the music

Two designers find different paths to hope in troubled times

2:32 PMNEW YORK — Telfar Clemens and Kerby Jean-Raymond, the clothing designers behind Telfar and Pyer Moss, have completely different outlooks and passions. But they have one thing in common: Both of their shows at New York Fashion Week were set off by soulful live music that transformed the gallery at Spring Studios in Tribeca, where they showed their collections.

Clemens, who founded his eponymous label in 2005, designs one line meant for all genders. But to call it unisex doesn’t do it justice. There’s an element of genderqueer defiance that beats through his designs. I’m pretty sure if singer Patti LaBelle and designer Jeremy Scott ever had a kid together, it would be Telfar Clemens. The Liberian-American designer won the top prize of $400,000 in November in the annual Council of Fashion Designers of America/Vogue Fashion Fund awards for emerging talent.

This year, Clemens decided to hold a concert instead of a traditional runway show. Eleven musicians, including Dev Hynes, Kelela, and Solange doppelgänger Kelsey Lu, wore his designs and performed together, creating an androgynous energy that buzzed through a room bathed in red light.

The Friday night show began with keyboardist Bryndon Cook walking through the crowd to get to a small circular stage. He began playing and singing a version of Hezekiah Walker’s “Grateful,” with lyrics adapted for the show. The entrances coincided with the song. A musician would appear at the entrance, walk through the crowd while singing, and join his or her counterpart on stage. Each artist continued singing until the last one was on stage, and then Clemens joined his collaborators for one joyous verse.

After the show, I saw tears in the eyes of some audience members. A reporter from Vogue Italia confirmed that no, most shows at Fashion Week do not have this atmosphere of soulful, open vulnerability.

A full choir rehearses for their performance at the Pyer Moss fashion show at New York Fashion week, New York, NY on February 10, 2018.

Melissa Bunni Elian for The Undefeated

The Pyer Moss show Saturday evening was a traditional runway show, but it was similarly moving. The label’s founder, Kerby Jean-Raymond has found his niche in marrying beauty with irreverence, and this year, he presented the first part of a ready-to-wear line he’s designed for Reebok. Backed by a gospel choir bedecked in white, the models, all people of color, walked out to a playlist customized by Rafael Saadiq, which began with “Nobody Knows the Trouble I’ve Seen.” If you listened closely, the lyrics changed, and the choir began to sing the words “too many n—-s in white designers.”

The Haitian-American designer is best known for his provocative August 2015 show, which he used to protest police violence against unarmed black people. He opened the show with video of cellphone and dashcam footage capturing police violence, then sent models down the runway in boots spattered with red paint made to look like blood. Jean-Raymond has become known for such political statements made through fashion. For instance, he designed the “Even More Names” T-shirt Colin Kaepernick wore for a spread in GQ when the magazine named the former NFL quarterback its Citizen of the Year.


This year’s presentation felt like black liberation fashion church as a choir cycled through arrangements of Bruce Springsteen’s “Born in the USA,” Kendrick Lamar’s “We Gon’ Be Alright” and Boris Gardiner’s “Every N—– is a Star.”

The back of one jacket said Pyer Moss, followed by “Psalm 91.” It’s the psalm that says in part,

Surely he will save you
from the fowler’s snare
and from the deadly pestilence.

He will cover you with his feathers,
and under his wings you will find refuge;
his faithfulness will be your shield and rampart.

You will not fear the terror of night,
nor the arrow that flies by day,

nor the pestilence that stalks in the darkness,
nor the plague that destroys at midday.

A thousand may fall at your side,
ten thousand at your right hand,
but it will not come near you.

You will only observe with your eyes
and see the punishment of the wicked.

Richard Ewell: the first black skater to win a national title in singles and pairs

Famed coach Mabel Fairbanks helped launch another career

1:23 PMRichard Ewell, a student of famed skating coach Mabel Fairbanks, is the first African-American to win a national title in singles and pairs figure skating.

Born: 1951 or 1952

His story: Ewell grew up in Los Angeles and began skating in 1963. He trained with Fairbanks in Culver City, California. He first qualified for the U.S. Figure Skating Championships in 1969 in the junior division and took home the national title in 1970. Ewell also was training in pair skating, teaming with fellow African-American Michelle McCladdie in 1968. They earned a bronze medal at nationals in 1971 before winning the junior pairs crown in 1972. They turned pro after winning nationals and toured with the Ice Capades.

Fast fact: Ewell’s doubles partner, McCladdie, was a fair-skinned black woman with blond hair and green eyes. “My looks contradict my origins,” she told Ebony magazine in 1972. “But then, black comes in many different shades and I’m proud of it. Maybe it’ll bury a few stereotypes.”

Quotable: Ewell told Ebony Jr.! magazine in 1977 that he would like to help get more blacks interested in ice skating. “I’d really love to see at least one black get into Winter Olympic competition.”

The Undefeated will profile an athlete each day during Black History Month.

Atoy Wilson: the first black skater to win a national title

His first coach was Mabel Fairbanks

8:48 AMAtoy Wilson is the first African-American to win a national title in figure skating.

Born: 1951 or 1952

His story: Wilson, who started in gymnastics, turned to figure skating after seeing the Ice Follies when he was 8 years old. His first coach was Mabel Fairbanks, who helped him become the first black member of the Los Angeles Skating Club. In 1965, a 13-year-old Wilson became the first black skater to compete in the U.S. Figure Skating Championships, placing second in the novice men’s division. He returned to the competition the following year, and this time he won the men’s novice division to become the first black skater to earn a national championship. Wilson turned pro after he finished high school, touring with Holiday on Ice and the same Ice Follies that fueled his interest in the sport.

Fast fact: Wilson worked in production accounting in the television industry after retiring as a performer.

Quotable: “Mabel was the one that fought in the back rooms, getting this little, black, talented kid skater out there,” Wilson told icenetwork.com. “I was impervious to it because I was skating. I had to learn the jumps — the Lutz, the flips, the double Salchows and the Axels — and I had to learn the figures. My mind was wrapped around that.”

The Undefeated will profile an athlete each day during Black History Month.

Doug Williams among HBCU legends in NFL Network documentary Friday night

‘Breaking Ground: A Story of HBCU Football and the NFL’ takes in-depth look at the legacy of 4 great players

4:55 PMDoug Williams knows that when February rolls around, he’s got to keep his phone charged — ’cause e’rybody and their momma will be calling to get his thoughts on all things black, and definitely all things historically black colleges and universities (HBCU).

“I think it’s a little old, especially for guys like myself,” said Williams, the Grambling State legend and Black College Football Hall of Fame inductee. “The older you get, you realize that it’s not about one month — it’s about 365 days a year. It’s not like we go into a cocoon after February is over with. We’re still around — still doing what we do. I get a lot of calls during [the month of February], and you hate to say, ‘No — I’m not gon’ do it,’ but my things is, I’m black in December too.”

This isn’t to say Williams, who just celebrated the 30th anniversary of Washington’s Super Bowl XXII victory over the Denver Broncos, feels burdened with carrying the torch for African-Americans during Black History Month or that he bemoans being every reporter’s go-to source when the topic is HBCUs. He understands that one month can never tell the full story.

“The reality is I can be gone every day in February — doing any number of Black History Month things,” said Williams, who was on his way to Atlanta for the Black College Football Hall of Fame induction festivities Saturday when he spoke to The Undefeated. “But February is also a big month for what I do in my day job – with the all-star games and getting ready for the draft and the combine. I just can’t pick up and go everywhere people want me to go,” continued Williams, a senior vice president of player personnel for the Redskins.

When Williams’ phone did ring toward the tail end of last season, and he was told he’d be interviewed for a one-hour documentary about NFL legends and groundbreakers who attended HBCUs, he was all too happy to participate. The process of getting the narrative right hasn’t always been easy, Williams noted.

“Every article in America was written about ‘The First Black quarterback,’ ‘Washington’s Black Quarterback,’ ‘The Way of the Black Quarterback,’ ” Williams told Raiders.com. “I didn’t go to the Super Bowl as a black quarterback. I went to the Super Bowl as the Redskins’ quarterback, who just happened to be black,” said Williams, the first African-American quarterback to start in a Super Bowl. “At the same time, I understood the pride, the dignity and the history of what was about to happen.”

Through interviews and profiles of four notable NFL HBCU alums — Williams, Jerry Rice, Mel Blount and Marquette King — Breaking Ground: A Story of HBCU Football and the NFL takes an in-depth look at the legacy of HBCUs within the league, airing Friday at 8 p.m. EST on NFL Network.

Breaking Ground centers on Blount’s trip back to Southern University, where he reflects on his time there with his son Akil and former teammates. The special also remembers Rice, a legend at Mississippi Valley State, Williams and the NFL’s only current black punter, Marquette King of the Oakland Raiders, who graduated from Fort Valley State and spoke about changing the way people view his position.

The documentary is narrated by Howard University alum and Black Panther star Chadwick Boseman.

Williams understands the importance of getting the story right, which is why he will continue to answer the phone.

“I understand this is our month,” Williams said with a chuckle before turning serious. “The sad part is knowing that the one month that they dedicate to people who’ve done so much for this country, a lot of schools don’t even want to teach that.”

Arizona safety Antoine Bethea is Black College Football Hall of Fame’s pro player of the year

He’ll pick up the award at the Hall’s induction of seven greats this weekend

10:32 AMThe Black College Football Hall of Fame has chosen Arizona Cardinals safety Antoine Bethea as the inaugural recipient of the Pro Player of the Year Award. It will be awarded annually to the most outstanding professional football player from a historically black college or university (HBCU).

Bethea attended Howard University and has played in the NFL for 12 seasons after being drafted by the Indianapolis Colts in 2006.

He spent his first eight years in Indianapolis, then three in San Francisco, before signing a three-year contract with Arizona in 2017. In his first year with the Cardinals, Bethea had a career-high five interceptions to go along with 57 tackles.

He’ll receive the award Saturday at the Black College Football Hall of Fame induction ceremony in Atlanta at the College Football Hall of Fame. Seven former HBCU greats will be inducted into the Hall this weekend, including former players Raymond Chester, Harold Carmichael, Leon Lewis, Greg Lloyd, Everson Walls, Thomas “Hollywood” Henderson and coach Bill Hayes.

“This award was established to help showcase the immense talent of our current Black College Football players at the highest level,” said James “Shack” Harris, Hall co-founder and 2012 inductee.

“On behalf of the Black College Football Hall of Fame trustees and selection committee, we congratulate Antoine on this historic accomplishment,” said Doug Williams, Hall co-founder and 2011 inductee. “Antoine is a great role model and inspiration for our youth across the country.”

Mabel Fairbanks: The first African-American in the U.S. Figure Skating Hall of Fame

She made her mark as a coach

10:32 AMMabel Fairbanks was the first African-American inducted into the U.S. Figure Skating Hall of Fame.

Born: Nov. 14, 1915

Died: Sept. 29, 2001

Her story: Fairbanks, of African-American and Seminole descent, was born in the Florida Everglades. She was orphaned at age 8 and moved to New York City with her brother. Her sister-in-law did not accept her, so she ended up sleeping on a park bench. A woman gave her a job baby-sitting at her apartment above Central Park, and that’s when everything changed for her. Fairbanks watched the skaters in Central Park and became interested in the sport. She bought an oversize pair of skates, stuffed them to make them fit and began skating in the park. When she tried to get into a local ice rink, she was denied because of her race. Nevertheless, she persisted, and a manager finally let her inside. Professional skaters gave her free lessons. She moved to California in the 1940s and performed in nightclub skating shows. She traveled with the Ice Capades and performed with the Ice Follies. She was not allowed into the U.S. Olympic trials or any competitive figure skating events. She later became a coach and worked with skaters such as Atoy Wilson, the first black skater to win a U.S. title, and pairs champions Tai Babilonia and Randy Gardner. She pushed the Culver City Skating Club in Los Angeles to admit its first black member in 1965. She made the U.S. Figure Skating Hall of Fame in 1977 and was inducted into the International Women’s Sports Hall of Fame in the coach category after her death.

Fast fact: Part of what fueled Fairbanks’ passion for skating was watching a Sonja Henie movie in the 1930s. Henie would later bar Fairbanks from competing in an ice show.

Quotable: “If I had gone to the Olympics and become a star, I would not be who I am today,” Fairbanks told the Los Angeles Times.

The Undefeated will profile an athlete each day during Black History Month.

How the Wades won the NBA trade deadline

Dwyane Wade and Gabrielle Union are going home to Miami — perhaps for good

9:34 AMAs the dust settles from one of the wildest NBA trade deadlines in recent history, the appropriate questions are: Who won? And who lost? Maybe it’s the Detroit Pistons, who are 5-0 since Blake Griffin’s arrival. Perhaps it’s Magic Johnson, who cleared cap space for two max players. Or maybe it’s a guy who didn’t move at all: As Drake says, Like I’m Lou Will, I just got the new deal. Lou Williams did in fact just sign a three-year, $24 million contract extension with the Los Angeles Clippers. Lou always wins.

Yet, the real winner(s) of the NBA trade deadline are power couple Dwyane Wade and Gabrielle Union. They’re going home.

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Union wins for many reasons, not the least of which is that she is a survivor. Union is known for her patented grin-and-dimples combo, but her real life has been anything but all smiles. Rather than keep her pain bottled inside, Union speaks regularly about sexual assault, racism and gender equality. She is also shooting both a two-hour film finale of BET’s Being Mary Jane and an NBC pilot for a spinoff of the Bad Boys movie franchise. And Union’s 2017 memoir, We’re Going To Need More Wine, is a New York Times best-seller.

Not for nothing, too, Union moved from Miami to Chicago to Cleveland with her husband in a short span of time. So when the news broke on Feb. 8 that the family would be moving back to Miami (where they were married in 2014), there was an unbridled sense of joy and relief that radiated from Union’s tweet (she has close to 4 million followers).

Which brings us to her husband, Dwyane Tyrone Wade Jr. It’s unclear how much longer the 36-year-old, whom Union mercilessly teases about his age, will play professional basketball. But if this move is indeed Wade’s near end of the playing road, he, by nearly every metric, has won big time. Wade is largely accepted as the third-greatest shooting guard to ever live, behind only Michael Jordan and Kobe Bryant. The fifth overall pick in the 2003 NBA draft is the best shot-blocking guard of all time. He’s a three-time champion and a Finals MVP. And when it comes down to it, Wade, along with Pat Riley, staged the greatest coup in NBA free-agent history when he helped bring Chris Bosh and LeBron James to Miami in the summer of 2010. They went to four straight Finals, winning two, and the team will go down as the most provocative and culture-changing team since the Showtime Lakers.

Hold on. Not done yet. Wade also was able to play in his hometown of Chicago and got a crazy amount to do so, despite being out of his prime. Wade is watching his oldest son, Zaire, blossom into a promising young hooper. He also secured a buyout from those same Bulls, only to reunite in Cleveland with his best friend — the Laverne to his Shirley, the Daniel Kaluuya to his Lil Rel Howery, the Martin Lawrence to his Eddie Murphy, the Snoop Dogg to his Dr. Dre — in James. James had even provided a foreshadowing to the Wades’ return to the 305 area code: He posted a picture of himself, Wade and Heat lifer Udonis Haslem on Feb. 1.

With Thursday’s purge, Wade will presumably finish his career in Miami with absolutely no pressure on him — with the Bulls still paying him. And he’s doing so as an unquestioned first-ballot Hall of Famer. About the only thing left to do is re-win Papi Le Batard’s love. Gangstas don’t die, Jadakiss once said, they get chubby and move to Miami. That option is back on the table for Dwyane and Gabby. And likely minus the weight gain.

Philadelphia Eagles’ Super Bowl parade a dream come true after nightmarish 58-year championship drought

We kept tabs on all things Eagles parade on social media

4:59 PMSeveral million Philadelphia Eagles fans turned out on Thursday to witness and enjoy the Eagles’ very first Super Bowl parade.

The team won the NFL Championship in 1960, but for 58 years, the City of Brotherly Love was denied a Lombardi trophy, going 0 for 2 in its only Super Bowl appearances.

Fast-forward to Sunday, where the Eagles redeemed their 2005 loss to the New England Patriots with a 41-33 victory over the Pats in Minneapolis in Super Bowl LII.

Eagles fans came from far and wide – on 4 a.m. trains and with family members’ ashes on planes – to take part in Philadelphia’s first Super Bowl parade.

Think you missed something? No worries! Here’s the chatter from social media.

Howard’s legendary athletic trainer Milton Miles dies

Former Bison coach Lincoln Phillips describes him as ‘the glue’ for the NCAA title team

4:09 PMLincoln Phillips can chuckle at the thought today, but the task of wrangling the diverse personalities on his star-studded 1970s Howard University soccer teams was no laughing matter at the time. “You’re talking about trying to get Jamaicans and Trinidadians and Africans on the same page at the same time,” recalled Phillips, who coached at Howard from 1970-1980 and led the Bison to its first – and still only – NCAA Division I national championship in 1974.

Phillips’ Bison teams featured players from countries such as Bermuda, Guyana, Ghana, Nigeria, Eritrea, Trinidad and Tobago, Ethiopia and Jamaica. While blessed with talent and a flair never before seen in America, it was Phillips, who was only a few years older than some of his players, who was tasked with bringing them together.

“That was no easy feat, and for a young coach at the time, you had to find creative and sometimes unconventional ways to get them to agree to come together,” said Phillips, who was 29 when he became head coach in ’70. “I couldn’t have been successful without the help and support from some wonderful people.”

Count Milton Miles Jr. among them; Miles, who was African-American, was Howard’s longtime athletic trainer and played a massive role in helping the Bison reach two NCAA Division I championships. He died this week at 87 after a long battle with bladder cancer, having served as Howard’s athletic trainer from 1970 until his in retirement in 2002.

“He was the athletic trainer for all of Howard’s teams,” said Marilyn Miles, his wife of 54 years. “But soccer was his favorite.”

Phillips, a former army sergeant in his native Trinidad and Tobago, was hardly short on discipline, but he soon learned that he needed more than that to create harmony – on and off the pitch.

“Milt helped me to understand and deal with potential chaos situations within our multitalented teams, because the players all loved and confided in ‘Uncle Milty,’ ” the coach recalled.

Ian Bain, who captained Phillips’ all-star 1974 team, agrees: “We spent so much time with him, in the tape room, in the world pool, on road trips – that in many ways he became was our gate-keeper. That made him really important to our existence. His consistence and constancy made him really important to us.”

Howard’s soccer exploits were told in the Spike Lee-executive produced documentary Redemption Song, which recalled the fast-paced and gripping tale of the 1971 and 1974 national championship-winning Bison teams that had to overcome issues – often racial – bigger than themselves to achieve greatness.

“Milt’s uncanny ability to analyze these tense and potentially explosive situations was a great asset to me as a coach,” continued Phillips, who compiled a 116-19 record as Howard’s coach and was enshrined in the Howard Athletic Hall of Fame, along with both teams, in September 2014. “He was the glue in all the Howard soccer teams – the comforter to all the players when they were down. He healed them physically and emotionally. He was a dear and close friend to me and the players and most of all, a consummate gentleman.”

Miles’ death is the third in recent years from that glorified era. Kenneth “Kendo” Ilodigwe, who scored the lone goal in the 1974 quadruple overtime thriller versus soccer power Saint Louis University, died last March. Keith “Bronco” Aqui, Howard’s goal-scoring forward and star on Phillips’ 1971 team, died in late 2016.

Miles is survived by his wife Marilyn; two children, Jenifer and Milton Miles III; and one grandson, Justin.

The Cavs blew up their squad — and Twitter

Cleveland traded six players and a draft pick before the NBA trade deadline

3:29 PMFor the foreseeable future, Feb. 8, 2018, will be remembered as Judgment Day in Cleveland. In a matter of 61 minutes in the lead-up to Thursday’s annual NBA trade deadline, the Cavaliers dealt six players and one draft pick to three teams in return for four players and a draft pick as part of a complete roster rebuild less than a week before the start of the All-Star break. As Cleveland blew up its entire squad, Twitter fingers percolated and popcorn was ready.

The swift moves executed by Cavs general manager Koby Altman began at 12:05 p.m. EST, when ESPN’s Adrian Wojnarowski first reported that the Los Angeles Lakers were sending point guard Jordan Clarkson and power forward Larry Nance Jr. to Cleveland for power forward Channing Frye, point guard Isaiah Thomas (whom the Cavs received from the Boston Celtics in the blockbuster Kyrie Irving trade last summer) and a 2018 first-round draft pick. Thomas’ career in The Land lasted only 15 games, after he sat out the first few months of the season with a hip injury.

At 1 p.m., the Cavs sent point guard Derrick Rose and forward Jae Crowder to the Utah Jazz, and guard Iman Shumpert to the Sacramento Kings, in a three-team deal that landed forward Rodney Hood and point guard George Hill in Cleveland.

Six minutes later, Cleveland traded future Hall of Fame shooting guard Dwyane Wade to the Miami Heat for a second-round draft pick.

The 36-year-old Wade, who was drafted by the Heat in 2003, will presumably finish his career in Miami, and his wife, Gabrielle Union, couldn’t be happier.

Neither could Wade’s now former teammate (again) LeBron James, whom he played with in Miami from 2010 to 2014.

Now, only four players from Cleveland’s 2016 NBA championship-winning squad — James, J.R. Smith, Kevin Love and Tristan Thompson — are left on the team. So what does this all really mean for the Cavs? Perhaps the franchise is preparing for a future without James, who could opt out of his contract and become a free agent this summer. Or maybe Cleveland is just reloading its tainted roster with a crop of younger, more athletic and more defensive-minded players who will be needed if the team plans to make a run to the NBA Finals for the fourth straight year.

Regardless, Thursday left us all feeling like Earl Smith (aka J.R.) …

Few remember the Orangeburg Massacre, which happened 50 years ago on Feb. 8, 1968

It was one of the first deadly confrontations on a college campus

2:30 PMFifty years ago Thursday, three students died on the campus of South Carolina State University in the Orangeburg Massacre. Yet, years later, few people know about it.

On Thursday, the university and others honored their legacy and its role in the protest that led up to the massacre in a commemoration, Remembering History, Inspiring Hope and Embracing Healing. With students, faculty, community leaders, law enforcement and residents, they hope to remember “one of the saddest days in the history of South Carolina” with a renewed commitment to optimism, inspiration and understanding.

On the night of Feb. 8, 1968, hundreds of students had gathered on campus for a third night of protests after a long series of clashes with local law enforcement and politicians. They were facing dozens of South Carolina highway troopers and National Guard troops, with military vehicles and a heavy law enforcement presence.

The protests started because of racial segregation at a local bowling alley.

Harry Floyd, owner of the segregated bowling alley in Orangeburg, S.C., over which civil rights demonstrations ended in the death of three students, points to the “privately owned” sign on the front door, Feb. 10, 1968.

AP Photo

South Carolina State University students Marvis President, right, and Kyle Williams, left, take part in a re-enactment Thursday, Feb. 7, 2008, of the picketing of a local bowling alley that led to the death of three college students and wounding of 28 others as part of a 40th commemoration ceremony of the Orangeburg Massacre in Orangeburg, South Carolina.

AP Photo/Mary Ann Chastain

The troopers, saying they heard sniper fire, started shooting at the students. Amid the running and screaming in the ensuing chaos, S.C. State students Samuel Hammond and Henry Smith died along with Delano Middleton, and 27 others were injured.

The Smith-Hammond-Middleton Memorial Center, South Carolina State’s on-campus arena, was renamed in honor of the three victims. It was opened the same year as the massacre.

It was one of the first deadly confrontations between college students and law enforcement in the United States, and it happened two years before the Kent State University shootings and two months before the assassination of civil rights leader Martin Luther King Jr.

Orangeburg, located between Columbia and Charleston, is the home of S.C. State University and Claflin College, both historically black colleges and universities. Students from both schools were involved in the protests.

‘Teyana & Iman’ bring their vision of black love to VH1

The new reality show debuts Feb. 19

2:07 PMIt’s like Black History Month and Valentine’s Day all rolled into one: Teyana & Iman, a new VH1 series following the lives of Teyana Taylor and Iman Shumpert, will debut Feb. 19 at 10 p.m.

Taylor is the dancer who made such a memorable splash in the Kanye West video for “Fade” in fall 2016, which cemented her status as #bodygoals for pretty much anyone with eyes.

Her husband, Shumpert, is a guard who the Cleveland Cavaliers just traded to the Sacramento Kings. The eight episodes will offer a closer look at the couple and their baby, Junie. Among the stops? New York Fashion Week.

“When I look at reality, it don’t look like reality to me,” Shumpert says into the camera for a promo of the series. He’s seated on a white couch wearing nothing but gray sweatpants and a black and brown striped fur coat, next to Taylor, who’s kitted out in a red fur and matching slides.

What? You don’t have a fur coat that you just wear when you’re kicking it around the house?

Seba Johnson: the first black woman to ski at the Olympics

She competed at age 14 to become the youngest Alpine racer in Olympic history

12:05 PMSeba Johnson became the first black woman and youngest Alpine racer to ski at the Olympics when she competed for the U.S. Virgin Islands at age 14 in the 1988 Winter Olympics in Calgary, Alberta.

Born: May 1, 1973.

Her story: Johnson was born in St. Croix in the U.S. Virgin Islands. Her family moved around, living in New Hampshire, Maine and Nevada. She began skiing at age 7. By age 14, she had competed in the giant slalom at her first Olympics. She became the first black skier to place in the top 30 in international competition at age 15 in the World Alpine Ski Championships. She returned to the Olympics in Albertville, France, in 1992, competing in the slalom and giant slalom. She retired that same year to work toward a degree in fine arts at Howard University. She has worked as an actor and a model.

Fast fact: Johnson is a longtime vegan and animal rights activist.

Quotable: “The first time I was on skis, I loved it and wanted to become a ski racer,” Johnson told United Press International.

The Undefeated will profile an athlete each day during Black History Month.

Kobe Bryant wasn’t originally on board with retro’ing his classic Nike Zoom Kobe 1

The Nike Zoom Kobe 1 Proto is set for Feb. 17 — Michael Jordan’s birthday

11:21 AM 

Kobe Bryant’s career revival in the mid-2000s, at least partially, can be traced back to the arrival of his signature Nike Zoom Kobe 1s. The sneakers made their illustrious debut on Christmas 2005. The ’05-’06 season was quite the roller coaster for Bryant. Although the year would be his final of the controversial yet incredibly successful No. 8 era, and the season would end on an ugly note in Phoenix, Bryant rewrote the record books that season, averaging 35.4 points. The Zoom Kobe 1s first graced the stage only five days after Kobe’s electric 62 points in three quarters versus Dirk Nowitzki and the Dallas Mavericks. And, yes, they were on his feet when his iconic 81-point onslaught took place a month later against the Toronto Raptors.

Courtesy of Nike

Now they’re back. Kobe teased the prospect of an upcoming retro line on Instagram last week. Toronto Raptors All-Star guard DeMar DeRozan donned the shoes recently in a big-time win over their divisional and conference rivals the Boston Celtics. The Compton native and self-admitted Bryant fanatic will don the sneakers again tonight when the Raptors host the now Kristaps Porzingis-less New York Knicks. While retro-ing classic sneakers seems like a foregone conclusion for most iconic lines (i.e. Jordan’s, LeBron’s), Bryant initially opposed the idea. “It just didn’t fit right with everything I stood for, with the Mamba Brand,” he said.

Courtesy of Nike

Needless to say, cooler heads prevailed and Kobe was won over with the Nike Zoom Kobe 1 Proto, in essence the shoe in which Kobe terrorized defenders over a decade ago but with updated technology. The shoes hit nike.com and select retailers on Feb. 17 — more popularly known in the sports world as Michael Jordan’s 55th birthday. Even in retirement, Kobe Bean Bryant remains a (strategic) savage.

Maurice Robinson heads Grambling’s recruiting class

Three-star recruit is a big get for the Tigers

9:09 PMLSU recruited him to play quarterback, while the reigning national champions at Alabama had visions of him roaming their defensive secondary.

But with major FBS programs knocking at his door, Maurice Robinson opted to play football next season at a historically black institution: Grambling.

After verbally committing to the Tigers two weeks ago, Robinson made it official during Wednesday’s national signing day.

Robinson will play in the defensive backfield at Grambling despite the fact that he threw for 1,686 yards and 18 touchdowns last season at Murphy High School in Mobile, Alabama. The three-star recruit is a big get for Grambling, which looks to improve from last year’s 11-2 record, which included a trip to the Celebration Bowl (where the Tigers lost to North Carolina A&T).

Some of the other commitments to Grambling that were made official Wednesday:

Sundiata Anderson, 6-4, defensive end, Atlanta, Georgia: A three-sport athlete at North Clayton High School, Anderson was a first-team all-county player and earned a spot on the All-Region 4-AAAA team.

T.J. Hawthorne, 6-2, defensive back, Springhill, Louisiana: Hawthorne will play safety at Grambling after a career at North Webster High School where he earned all-district honors while playing running back, wide receiver and defensive back.

Matthew Cormier, 6-3, linebacker, Lake Charles, Louisiana: Another recruit staying close to home, Cormier is a hard-hitting linebacker who was a first team all-district selection.

Keilon Elder, 5-9, running back, Duncanville, Texas: Elder rushed for 1,300 yards and scored 17 touchdowns in his final season at Duncanville High School. He’ll be a legacy student at Grambling, where his father, Ray Elder, played tailback from 1989-93.


North Carolina A&T University, the Celebration Bowl champions, appear to have added enough firepower to keep them in the mix in the Mid-Eastern Athletic Conference (MEAC) next season.

Darius Graves, 5-8, running back, Greensboro, North Carolina: Graves was expected to be a contributor at the University of North Carolina last year after the walk-on led all rushers in the spring game. But he didn’t suit up last season in Chapel Hill and now resurfaces with the Aggies.

Wiz Vaughn, 5-10, wide receiver, Wilmington, North Carolina: Definitely an early pick for the all-name team, Vaughn was a dual threat on offense at New Hanover High School, as he caught 97 passes for 1,487 yards and 12 touchdowns and rushed 87 times for 737 yards and 17 touchdowns. He helped lead New Hanover to the Class 3-A state championship game.

Chris Williams, 6-1, linebacker, Laurinburg, North Carolina: A standout defensive player at Scotland County High School, Williams — along with Georgia-bound running back Zamir White, a five-star recruit — helped lead his team to a 12-2 record and a spot in the 4A state championship game. Williams was named the team’s defensive MVP.

Tim Williams, 6-3, offensive lineman, Laurinburg, North Carolina: Yes, Tim and Chris Williams are brothers. Twin brothers. Tim Williams, who weighs 300 pounds, opened up many of the holes that White, the nation’s top running back recruit, ran through.


Coach Mike London has added a few pieces that should complement quarterback Caylin Newton, who led the Bison to a second-place finish in the MEAC.

Jalen Smith, 6-1, defensive back/wide receiver, Virginia Beach, Virginia: Depending on where he plays, Smith might emerge as a new target for Newton. A star at Ocean Lakes High School, Smith is rated as the No. 14 player in the state. Smith had verbally committed to Navy in the fall before announcing that he’s attending Howard.

Jayde Pierre, 6-2, defensive/offensive line, Sterling, Virginia: Pierre was an early commit to Temple and had interest from Arizona and Boston College. But the 310-pound Pierre decided to stay close to his home in the Washington, D.C., suburbs, where he played at Dominion High School. 247Sports.com had Pierre ranked No. 33 in Virginia.

Here’s how some of the African-American head coaches in Division I have fared on national signing day:

David Shaw, Stanford: Shaw was able to sign Tanner McKee, one of the top quarterbacks in the nation, who chose Stanford over Alabama and Texas. But he won’t get the 6-6 McKee immediately, as the devout Mormon will take a two-year mission before attending Stanford in 2020.

James Franklin, Penn State: A program nearly destroyed by the Jerry Sandusky scandal in 2011 has finished in the top 10 the past two years and just came through with one of the top five recruiting classes. Signees include linebacker Micah Parsons (considered the top recruit in Pennsylvania, and a top-10 national recruit from Harrisburg High School), Justin Shorter (the nation’s top-ranked wide receiver, from South Brunswick High School in New Jersey) and Ricky Slade (a five-star all-purpose back from Hylton High School in Virginia).

‘The Plug’ podcast: ‘Black Panther’ details — plus ‘GLOW’s’ Sydelle Noel (Episode 9)

The Philadelphia Eagles make history — and Kevin Hart lives the dream

3:23 PM

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The pleasure is all ours as we welcome a very, very special guest in the ever-so-talented Sydelle Noel. You may have heard about this film she’s in that hits theaters next week — Black Panther? Noel gives us the inside scoop on the movie, including her experiences with members of the star-studded cast.

From there, the squad and I pay homage to the Philadelphia Eagles, who of course just captured their first Super Bowl in franchise history. This includes us saluting comedian Kevin Hart living any fan’s dream — even if that included him trying to get on stage to hoist the Lombardi trophy. We also chat about the latest NBA narratives, including the free fall of the Cleveland Cavaliers.

Subscribe to The Plug on the ESPN app! We’ll be back next week to celebrate all things Panther and NBA All-Star Weekend in the City of Angels!

Previously: The Plug, ‘Super Bowl Time: Who Ya Got?’ (Episode 8): Super Bowl Sunday is upon us

Andre Horton: the first black men’s skier on the U.S. Alpine team

His mother introduced him to the sport at age 5

2:42 PMAndre Horton became the first black men’s skier to make the U.S. Alpine ski team in 2001.

Born: Oct. 4, 1979

His story: Andre Horton was born in Anchorage, Alaska, to a white mother and a black father. His mother, Elsena, moved to Alaska from Idaho, where she was an avid skier. She introduced Andre to the sport when he was 5 years old, and his younger sister Suki took up skiing at age 3. Horton started as a Nordic skier, which includes cross-country skiing, before switching to Alpine (downhill). He skied with Mount Bachelor Ski Educational Foundation before earning a spot on the U.S. ski team’s development team. By 2002, he and Suki were the top-ranked African-American ski racers in the country. Horton retired in 2004, citing new opportunities as well as the financial strain of the sport. He finished fourth in the super G and sixth in the downhill in his final U.S. Alpine Championships that same year.

Fast fact: Horton once worked part time at the Anchorage Daily News as a photographer.

Quotable: “I’ve made some black people cry because they couldn’t believe I was racing down a course at a world-class level,” Horton told Ski Racing Journal. “Because they could never do it when they were growing up. That’s my quiet smile, as I call it.”

The Undefeated will profile an athlete each day during Black History Month.

Kendrick Lamar, TDE continue to remain top dawgs of music videos with ‘All The Stars’

The visual is the lead single off the highly anticipated ‘Black Panther’ soundtrack

10:01 AM

There’s a slight comparison to be made between the decline in the quality of music videos and the decline of the back-to-the-basket game for big men in the NBA. Back in the day, non-Michael Jordan-led teams needed a dominant center to be competitive. And back in the day, MTV, BET, VH1 and The Box were the one-stop shop for all things music videos. And while videos can be shot oftentimes with nothing more than a camera phone these days — yielding both fruitful and not-so-fruitful results — the allure of the music video has taken on a new look in part because there are so many to sift from and through.

Yet, make no mistake about this reality. No one’s doing videos better than Top Dawg Entertainment (TDE) right now — at the very least in a dead heat with Jay Z’s 4:44 videos. About the only slip-up is SZA’s Solange-directed “The Weekend” visual, which left a huge opportunity on the table for not following the song’s storyline. Kendrick Lamar’s batting 1,000 right now though. Look no further than the visuals for his Grammy-winning album DAMN., a la “LOYALTY.” with Rihanna, “LOVE.” with Zacari, “ELEMENT.” and “DNA.” Many of those were fueled by Dave Meyers and the little homies, the directorial minds behind TDE’s newest video for “All The Stars.” The record is the lead single from the Black Panther-inspired soundtrack set to drop Friday. The video itself, however, is a wicked elixir of next-level graphic designs, transitions and, most importantly, overt homages to the images, inspirations, history, power and pigment that make Black Panther one of the most anticipated movies of this century, if not of all time.

Already a hit song currently being spun on radio stations nationwide, “All the Stars'” video provides added depth that wasn’t there before. And with TDE paying such close attention to detail with how they present themselves visually, it leaves but one question. Could they really be on the verge of bringing back the long-since extinct concept of the movie soundtrack too?