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ESPYS

The show, the after-party, the hotel — live from The 2017 ESPYS

Peyton Manning, LL Cool J, Ice Cube made all the memories

It’s one thing to watch an awards show on TV. It’s different to be there in person. And it’s totally different to actually have to work it. You see everything. You hear everything. And, most importantly, you feel everything. For example, it was impossible not to shed tears when Jarrius Robertson was handed the Jimmy V Perseverance Award. Goose bumps arrived when former first lady Michelle Obama graced the stage to honor Special Olympics founder Eunice Kennedy Shriver. But for those who require a more intimate view of what The ESPYS were like, I’m glad you’re here. Follow along.

The Red Carpet Hustle

This was my first red carpet experience. I didn’t know what to expect going in, but as the great songwriting philosopher Jay-Z once said, Fresh out the frying pan/ Into the fryer. Once it’s on, it’s on. Publicists coming up to you asking if you want to speak to their clients. Jumping on the carpet and chasing people down to speak to them. It looks glamorous on TV, but it’s a haze in real life. From Malcolm Jenkins, Draya Michele, Josh Norman, Dak Prescott, Derrick Johnson and more. Sweating in a suit and standing for three hours isn’t glamorous. But if you get a chance to do it, I recommend it.

Peyton Manning’s opening monologue

Manning didn’t say, “Omaha!” which remains a severe disappointment, but his opening monologue? Yeah, he did that. There wasn’t much doubt as to whether the two-time Super Bowl-winning signal-caller would do well at hosting. He’s one of the more personable athletes in sports, with a list of comedic moments to his name already — his Saturday Night Live appearances are some of the funniest spots in the show’s history. But believe me when I tell you this: His Kevin Durant and Russell Westbrook joke had everyone in the building laughing while also saying, “Yikes.” K.D.’s and Westbrook’s reaction was all that needed to be said. Then he followed it up with a quip about the Atlanta Falcons blowing the biggest lead in Super Bowl history. For what it’s worth, Jamie Foxx is still the greatest of all time ESPYS host. Justin Timberlake and Drake were pretty good as well. But The Sheriff was on one last night.

LL Cool J’s catalog is certified

I’ll be the first to admit I was hesitant about attending a party that featured LL Cool J as headliner. He’s a hip-hop icon and should be the next rapper inducted into the Rock & Roll Hall of Fame. But it’s 2017, LL’s a TV star, and music doesn’t necessarily feel like his main objective anymore (which is totally understandable), combined with the fact that Naughty By Nature had performed at ESPN The Magazine’s Body Party the night before with extremely limited success (for the record, Naughty was cool, but the trio really only has a handful of songs that cross over).

Needless to say, any concerns I had about LL walking into the Microsoft Theater in downtown Los Angeles were quickly alleviated. His catalog is deep. He came out to “Mama Said Knock You Out.” Then there was “I’m Bad.” “I Can’t Live Without My Radio,” too. By far, though, the highlight of LL’s set was the Total-assisted “Who Do You Love.” The entire venue instantly went back to 1996. Everyone danced with each other and sang the hook in unison, Who do you love?/ Are you for sure?

The ESPYS Post Party Presented by Coors Light.

Kohjiro Kinno / ESPN Images

The energy kicked up when LL brought out Ice Cube and WC to perform “Bow Down” and “Gangsta Nation.” Also, if you ever needed proof that Cube is a living legend, check and see how a room full of people react to his (and N.W.A.’s) “Straight Outta Compton.” There’s something about yelling, Straight Outta Compton, crazy m—-f—– named Ice Cube/ From a gang called N—-s With Attitude. All in all, LL won last night. The only complaint I had was he didn’t do “Paradise” with Amerie. Or “I Need Love.”

There’s always an after-party to the after-party

About 2 1/2 hours into the official after-party is when people begin planning their next move. It’s Los Angeles. There’s always another move. There was a Vanity Fair move. And an Uninterrupted one that was apparently full before it even began because everyone was texting everyone else to see who they knew who could get them in. The trick is, if you’re going out, you can’t overdo it at the open bar. Which, let me be perfectly clear, is much easier said than done. You’re always convincing yourself one more drink can’t hurt when it doesn’t hurt your bank account. And nights like that normally end with 3:30 a.m. trips to Subway. I should know.

The hotel

Just don’t be that guy, slightly inebriated at near 4 in the morning, standing on the elevator wondering why the JW Marriott has a dysfunctional elevator because it won’t take you to your floor. You’re pressing “7” to take you to your floor, but it’s not going anywhere. You’re standing with a delicious Subway sandwich in your hand, and all you want to do is eat and fall asleep, but you can’t because the elevator is broken. You seriously waste a good five minutes mad because the establishment won’t let you be great — or maybe it was doing you a favor, because did you really need Subway at near 4 in the morning? Of course you didn’t, you savage. Then you realize you have to scan your card, and you feel like an idiot. I should know.

Justin Tinsley is a senior culture writer for Andscape. He firmly believes “Cash Money Records takin’ ova for da ’99 and da 2000” is the single most impactful statement of his generation.